Craig Alan
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All You Need Is…(Blue) , 2022
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All You Need Is…(Red) , 2022
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Creature Condition , 2021
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Seaboard Spoor , 2021
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The Walk , 2019
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Populus Soup , 2018
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All You Need Is…(Red)
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Audrey at Tiffany's
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Coastal Crush
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Dream Big
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Environmental Change
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Everyone
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Everyone
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From the Ground Up
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Heroes Among Us
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Hope Around the Corner
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Love Around the Corner
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Merlot, Please
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Museum Guide
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New York Groove
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No. 5
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Pulp Nation
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Quiet Gaze
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RBG (Ruth Bader Ginsburg)
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Red Carpet Capture
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Rhapsody in Blue
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Super People
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The Marvelous Stan Lee
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The Ogle
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The Underdog
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The Underdog II
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Uno De La Casa Azul
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Warhol Troupe
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We All Scream
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Why so Serious
Combining technical skill, creativity and wit, Craig portrays iconic faces, buildings and abstracts through dozens, sometimes hundreds of intricately painted, exquisite figures. Each distinctive piece is created in black and white with a touch of red on some of the more glamorous faces. In their own way, they reflect Craig's highly recognisable take on life, where it is the small details that work together to create the big picture.
Now based in Atlanta, Craig was born in California, but his artistic talent began to emerge when his family moved south. His earliest experimentation took the form of street portraiture, an endeavour that helped him perfect his flair for replicating the human figure. He has exhibited his work across the United States to great acclaim and is now making a significant impact on the UK market. He has a work of art hanging in the White House in Senator Reed's office and his art has been exhibited in numerous art fairs and galleries globally. "We are all part of something greater than ourselves, and if we work together we could achieve greater balance . . . not in a religious sense but rather a universal sense."
Craig's collections run the gamut from abstract expressionism to haunting, graphic realism, each one a reflection of its creator's unique vision. He is most well-known for his Populus series, which drew inspiration from a balcony overlooking Orange Beach, Alabama where patrons enjoying a wedding party seemed to form the shape of an eye where they stood. Craig explains, "Inspiration begins with a 'What if...' as I consider alternate imagery, surfaces, effects, results, etc. It comes from the past in conjunction with now. Like a bolt of lightning."